Neurofilmology

Neurofilmology. audiovisual Studies and the challenge of Neuroscience
Adriano d’Aloia and ruggero Eugeni, Neurofilmology:An Introduction
Temenuga Trifonova, Neuroaesthetics and Neurocinematics: Reading the Brain/Film through the Film/Brain
Maria Poulaki, Neurocinematics and the Discourse of Control: Towards a Critical Neurofilmology
Patricia Pisters, Dexter’s Plastic Brain: Mentalizing and Mirroring in Cinematic Empathy
Enrico Carocci, First-Person Emotions: Affective Neuroscience and the Spectator’s Self
Maarten Coëgnarts and Peter kravanja, The Sensory-Motor Grounding of Abstract Concepts in Two Films by Stanley Kubrick
Pia Tikka and Mauri kaipainen, Phenomenological Considerations on Time Consciousness under Neurocinematic Search Light vittorio Gallese and Michele Guerra, The Feeling of Motion: Ca-mera Movements and Motor Cognition
New Studies
olivier Asselin, Cinéma d’exposition 2.0: Mixed-Reality Games in and around the Museum
livia Giunti, L’analyse du film a l’ère numérique. Annotation, geste analytique et lecture active
Christian Gosvig olesen, Panoramic Visions of the Archive in EYE’s Panorama: A Case Study in Digital Film Historiography francesco Pitassio, Distant Voices, Still Cinema? Around the Movies
projects & abstracts
reviews / comptes-rendus