Major re-examination of issues of island identity and interaction with case studies from Crete, Cyprus and Sardinia covering a long time span and key cultural periods.
Water may separate islands and the mainland, but the sea also offers a vital link. This volume is one of three major outputs of the research and public engagement project ‘Being an Islander’: Art and Identity of the Large Mediterranean Islands, implemented between 2019 and 2024 at the University of Cambridge. This project aimed to elucidate what defines island identity in the Mediterranean. It explored how insularity affects and shapes cultural identity by integrating transdisciplinary research methodologies, for example, by producing an awarded documentary on insularity and island identity, drawing on the principles of visual anthropology, social anthropology and environment studies. This volume is the culmination of the project’s research strands, undertaken by our key research teams in Cambridge, Cyprus, Greece and Italy. It disseminates our research across our main project themes: insularity, connectivity, mobility, migration, island art and material culture production, hybridity and diachronicity, and provides cross-disciplinary arguments and suggestions on the future of island archaeology and associated disciplines. Contributions included suggest that the relationship between people, place and material culture is what reveals important aspects of island identity and reframe the concept of the islands as a dynamic interplay shaped by social and historical episodes, connectivity and mobility, rather than geography or political boundaries. The volume advocates that the complex histories of the Mediterranean islands can also be a story of connections.
1. Understanding islands in the longue durée
Anastasia Christophilopoulou
2. Big and Small Islands: Re-thinking Insularity in Classical Greece
Christy Constantakopoulou
3. Roll up for the Mystery Tour: Islands of the Transition and their Contribution to ‘Western’ Civilization
Louise A. Hitchcock, Aren Maeir & Laura Pisanu
4. Contextualising Cypriot writing in the Early Iron Age Aegean: questions about who, when and where
Giorgos Bourogiannis
5. An Elite Early Iron Age weapon from Tamassos: the biography of an exceptional object
Julie Dawson, Susanna Pancaldo & Ema Bauzyte
6. Forged in Metal: Metals and Identity of the Large Mediterranean island-scape
Ema Bauzyte, Jana Mokrisova & Susanna Pancaldo
7. Insularity and Mediterranean contacts as reflected in the collections of the National Archaeological Museum of Cagliari
Francesco Muscolino
8. Farming the big islands of the Mediterranean: Crete and Cyprus in the Bronze Age
Evi Margaritis, Kyriaki Tsirtsi & C. Henkel
9. When our World became Christian: Crete and Cyprus during Late Antiquity
Georgios Deligiannakis & Salvatore Cosentino
10. Conclusions
Cyprian Broodbank
Anastasia Christophilopoulou is the Senior Curator of the Ancient Mediterranean at the Fitzwilliam Museum, a member of the McDonald Institute for Archaeological Research in Cambridge and a member of the D Caucus (Art and Archaeology) Faculty of Classics, Cambridge, where she also completed her PhD thesis in 2007. She currently leads the Being an Islander project, and her research focuses on Mediterranean and island archaeology, and archaeology and public engagement. Anastasia co-directs the West Area of Samos Archaeological Project (WASAP).
